Contributors: Linda Barwick, Beverley Diamond, Thomas R. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. They explore how digital media - whether on CD, VCD, the Internet, mobile technology, or in the studio - have transformed and become part of the fabric of Indigenous cultural expression across the globe. The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies.
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